The painting series The Young Pope and Batman explore the figure of the chosen one — the individual who personifies the highest form of exclusivity. In trivial situations or imagined circumstances, the Pope proves barely distinguishable from anyone else stripped of his privilege and singularity. Like a puzzle box, these paintings hold an inner narrative beneath the visible one: in Checkmate, the Pope — the white king — is defeated by an attacking black rook, a little girl, a new and sinless life.
Batman, a superhero and modern mythological figure endowed with special powers, finds himself in ordinary circumstances — outside his heroic mission — in the awkward position of an observer aware of his own irrelevance. Yet as characters of mass consciousness, the Pope and Batman are kindred: both share the loneliness of the hero in an ordinary world.